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Feature Writing
Researching, writing and selling narrative-driven features
Course Details
The best feature writers make it seem easy, but like any form of journalism, a good feature takes skill. Some of the best narrative journalism appears easy to readers because they are wrapped up in the story. But that ease can mask the amount of work that goes into a long-form piece -- and the best examples are hardly noticeable. Long-form feature writing is a delicate combination of reporting acumen and creative writing skills. It requires a unique sense of organization, plotting, relevancy, and humanity that separates it from other journalism. Long-form feature writers get more space, and are expected to use it wisely. So how can a reporter or writer enter the world of journalism feature writing? It's not as hard as you'd imagine. Most of the strongest magazines accept cold pitches and are starved for quality, artfully conceived articles. In this course you will learn: By the end of the course students will have:
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Instructor BioJoe Pappalardo's Courses Feature Writing (Class starts February 3) ![]() Testimonials Joe is practical, funny, and encouraging. He had so much material, he could teach two classes back-to-back, which I would definitely sign up for! -- Emily Schmitt"This class was rewarding and gave my longer feature writing a kickstart for the future. Joe is a seasoned pro and his advice was on the button." -- Chesney Bradshaw "Joe teaches by example. He is a successful journalist who understands the essence of story and what makes it compelling. Joe not only provides insights into the art of story-telling and reporting, but demonstrates how to analyze the market, sell pitches, and be a perpetual learner." -- Leyla Haidarian |
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-- Emily Schmitt




