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Writing the Reality TV Show
Get in on television's most lucrative genre
Course DetailsAmerican Idol. Deal or No Deal. My Super Sweet 16. From the multi-million-dollar series of broadcast television to the low-budget niche shows of cable, reality programming dominates television. But are reality shows really "reality?" How much planning and production goes into unscripted storytelling? And, most importantly, how can you get in on the action? This seminar lays the groundwork for anyone wanting to break into the lucrative world of reality TV. We'll look at various types of reality shows and what makes them tick, from docu-dramas and docu-soaps (Dog the Bounty Hunter, The Hills) to game shows and elimination-style competitions (The Biggest Loser, Survivor) to personality-driven and "aspirational" series (Tasty Travels, Extreme Makeover: Home Edition). We'll then discuss how to conceive, develop, and sell your idea. What are the critical elements of a pitch? Should you attach talent? Does your series work as a strip? We'll explore how to structure your reality pitch and get it to the right people. Who are the major players? When should you attach a senior producer? What networks are best for your concept? Whether you're a writer, producer, or host, reality television's waiting for you.
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Instructor BioChad Gervich's Courses No courses available at this time. ![]() Prior to joining Littlefield, Chad worked in development at NBC Studios, Sony Pictures, CBS Productions, and Twentieth Century Fox. He's been instrumental in the development, production, and maintenance of countless pilots and series such as Love, Inc. (UPN), Malcolm in the Middle (FOX), Like Family (WB), Time Tunnel (FOX), Star Search (CBS), and Do Over (WB). His plays have been produced across the country, and his writing appears regularly in Daily Variety, Fade In, Moving Pictures, Writer's Digest and Orange Coast, as well as in several other nationally available books and magazines. Testimonials Chad is a very energetic and charismatic speaker with a non-judgmental, supportive teaching style. I left his class with tangible tools to move forward with the next step. -- Sue Karlin, freelance journalist, Newsweek, Forbes, Esquire"Chad has valuable insights to share about the TV business and the craft of writing pilots. Whether you're a rookie or a professional, you'll feel focused, smarter, and ready to write." -- Wendy Calhoun, staff writer, NBC-Universal/NBC "The course content was fabulous. Exactly what I expected in terms of starting from scratch to getting into the minute detail. It was just perfect." -- Georgia Cassimatis "Chad is very knowledgeable and is able to present all topics in an informative, logical way with lots of enthusiasm." -- Vanessa Amador "Chad is passionate about television and very down to earth. I was very impressed with the candid nature of Chad's information and his honest responses to people's questions. He gave them real answers." -- Chayah Masters "I started this class with a blank writing tablet and ended the course with a spec script that I would be proud to submit to an agent. That's worth the time and the money." -- Dylan Conroy "Chad was a dynamic speaker and took his time to make sure that everyone in the class participated and got their questions answered. I will definitely take another class with him. " -- Angie Truschel "The presentation of the material was excellent. This is probably the best course I've taken." -- Roberta Cruger "Chad is a great teacher and brings with him a wealth of information. I learned a great deal and the class is a heckuva lot of fun!" -- Susan Morris |
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-- Sue Karlin, freelance journalist, Newsweek, Forbes, Esquire




